October Book (Preorder)

by Kenosha Kid

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  • Record/Vinyl + Digital Album

    October Book Three Record Preorder

    Includes unlimited streaming of October Book (Preorder) via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    shipping out on or around May 3, 2022
    edition of 300 

      $31 USD or more 

     

  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Purchasable with gift card

      $31 USD  or more

     

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Old Man 05:03 video
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Crossing 04:24 video
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Swoop 01:17 video
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Politics 03:23 video
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Gears 02:04 video
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Orbits 02:26 video
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Tell It 02:08 video
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Shadows 03:10 video
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Unfolded 02:02 video
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Absolute 03:33 video
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31.
Curtain 01:00 video

about

Kenosha Kid - October Book –

For nearly 20 years, Athens, GA-based guitarist and composer Dan Nettles has fronted the ever-changing post-genre collective known as Kenosha Kid, named after an elusive trope from Thomas Pynchon's novel Gravity’s Rainbow. Spanning from electric jazz, indie rock, country, folk and abstract sound-design to points far beyond, the music of Kenosha Kid reaches another level of expressive, exploratory richness with October Book.

Facing deep and long-brewing dilemmas about how to make, share and find fulfillment in music, Nettles turned inward from the shut-down world and cannonballed into an immersive task — to write and demo one new song per day throughout October 2020, 31 songs in all. The final result is three LPs of new instrumental music, an epic song cycle woven around two contrasting ideas: “What can I do alone, all by myself?” and “What can I do to reconnect with my community?”

In making October Book Nettles flourishes in both respects. He distilled a wealth of new material plumbed from introspection, and in the follow-through reunites old friends, high-school chums, current neighbors, ping-pong partners, bandmates from European touring projects, and veterans of previous Kenosha Kid incarnations into a veritable connect-the-dots of Nettles’ career, past and present. In effect he assembled a succession of dream bands, until the music spanned a wondrously wide gamut of sounds and moods: a richly melodic procession of guitars, keyboards, strings, reeds, brass and rhythm section, structured yet flexible enough to encompass improvisation in all its freshness.

Along the way we hear from Marlon Patton (Lonnie Holley), Jason Nazary (Anteloper), Seth Hendershot (Kishi Bashi) and Jamison Ross (Snarky Puppy) on drums; Neal Fountain (Col. Bruce Hampton), Robby Handley and Roland Fidezius on bass; Peter Van Huffel and Greg Sinibaldi on saxophones; Jacob Wick on trumpet; Rick Lollar (Jimmy Herring Band) on guitar; John Neff (Drive-By Truckers) on pedal steel; JoJo Glidewell (of Montreal) and Thayer Sarrano on keyboards, and so many more. Finally, Canadian producer Daniel McNamara, another distant friend, embraced the herculean task of mixing, providing big-picture framing and focus.


Frequently Asked Questions

Wait, is it one record or three?
It’s three vinyl LPs (Part 1, Part 2 and Part 3) or one digital release.

Wow! Why is it so cheap?
I really wanted to offer a special deal for early supporters. It will cost more later.

Can I hear some?
Preview material is available right here:
KenoshaKid.Bandcamp.com/album/October-Book

Can I hear some more?
Exclusively to preorders, new tracks will be released each week. You get to hear it all first!

But can I stream some for free somewhere?
Not until November. Once the preorder ends, the whole record will be available on all the usual digital streaming platforms. Notable, one preorder equals about 9 months of streaming income.

Do the records look like that?
No, the artwork will be revealed later. The three-paper-bag look visually represents “there are 3 of them” and “artwork to be unveiled later.”

Infrequently Asked Questions

What inspired you to do this?
After making the previous Kenosha Kid album, Missing Pieces, I was unsure I would make more records. I had these questions, not exactly about the value of my music, but rather its place. Where does it belong? What’s the genre? Which venues should stage it? Where is its home? To me, much is obvious when you listen. But listening isn’t ever how this seems to work, and I felt stuck explaining what is good about the music, or changing it to seem more desirable, or spending endless hours making it “look pretty.” Eventually I felt I was always making excuses for my art.

This, among other uncertainties, was partly my reluctance to write more music. I also pondered how many great songs already existed, and plenty of good ones I had written also, so why make more? No one is really asking me to. It doesn’t solve any of the world’s problems, and 
honestly, being the sole force behind this project separates me further from much of normal life.

All these feelings swirled around in me.

And then, a pandemic began.

At first, it was ironic seeing so many people facing the tremendous isolation and uncertainly that many independent artists wade thru any month of any year. It was ironic to possibly be paid more to not play, not make records, not tour than I would ever earn otherwise. I fell into an introspective period of practicing old music. What songs would I ever want to play again from Projector? Do I still remember any of the score for Steamboat Bill Jr.? Do solo guitar versions of Inside Voices and Outside Choices stand up on their own? There were riots in the streets. Police were killing people. The leadership of this country was a malignant tumor. I felt powerless. But I thought, “At least there are these songs I had written over the years.”

Then, a teenager from Antioch, Illinois became a killer in Kenosha, Wisconsin. Some terrible, despicable right-wing websites named him the “Kenosha Kid,” and tried to attach some of my music to their cause. Suddenly certain tracks were getting thousands of plays, and never before had my own music felt so dirty to me.

“So... now what?” I thought. I can’t change the world, I can’t go play, I’m more isolated than ever. What am I? Am I a writer? Ok, If I am a writer, then I should write... I can shelve everything... my own fears, my existential lack of belonging, the pandemic, the politics, the riots in the streets... and just write. For one month. For October.

Why 31 songs?
I wrote one song a day in October. Thus, 31, and the album title.

Who performs on the record?
I missed seeing all my favorite people, playing together and talking incessantly about music. Everyone was home and equipped to record, so I thought, what a great opportunity? The songs are each so different, with different needs. I dreamt up bands that served each scenario and then I got on the phone. It felt like my birthday every day, with new tracks arriving from old friends and colleagues, near and far. And it was a true joy to spend part of every day working together to create something.

credits

released October 31, 2021

Kenosha Kid ⁂ October Book ⁂

All songs written & produced by Dan Nettles
Mixed & produced by Daniel Mcnamara
Mastered by Ed Brooks at Resonant Sound
Cover images © Bea Nettles

October Book is a collection of 31 songs written as a daily musical diary in October 2020 then expanded with remotely-recorded contributions from each performer

Thank you for believing

1. No Wheels
Robby Handley: bass
Rick Lollar: slide
Dave Nelson: trombone
Dan Nettles: guitar
Marlon Patton: drums
Serena Scibelli: violin
Greg Sinibaldi: bari sax

2. Old Man
Robby Handley: bass
Rick Lollar: slide
Dave Nelson: trombone
Dan Nettles: guitar
Marlon Patton: drums
Greg Sinibaldi: bari sax

3. Crossing
Robby Handley: bass
Luca Lombardi: bass
Dave Nelson: trombone
Dan Nettles: guitar
Marlon Patton: drums
Serena Scibelli: violin
Greg Sinibaldi: bari sax, EWI

4. Overachiever of the Year
Roland Fidezius: bass
JoJo Glidewell: keyboard
Seth Hendershot: drums
Rick Lollar: acoustic
Rob McMaken: 12 String
Dan Nettles: guitar
Greg Sinibaldi: bari sax
Chris Byron: engineer (drums)

5. Defective Detective
Sean Carpio: drums
Roland Fidezius: bass
Zack Milster: steel
Dan Nettles: guitar
Greg Sinibaldi: bari sax
Peter Van Huffel: alto sax
Jacob Wick: trumpet

6. Sparks Remain
Sylvain Carton: bass clarinet
Robby Handley: bass
Rick Lollar: slide
Dan Nettles: guitar
Marlon Patton: drums
Greg Sinibaldi: bari sax

7. Lost Diamond
Robby Handley: bass
Rick Lollar: slide
Luca Lombardi: bass
Rob McMaken: 12 string
Dan Nettles: guitar
Marlon Patton: drums
Jacob Wick: trumpet

8. Gravity of the Moment
Neal Fountain: bass
JoJo Glidewell: piano
Jason Nazary: drums
Dan Nettles: guitar
Greg Sinibaldi: EWI
Jacob Wick: trumpet
Chris Byron: engineer (bass)

9. Simple Sam
JoJo Glidewell: keyboard
Robby Handley: bass
Rick Lollar: guitar
Zack Milster: steel
Dave Nelson: trombone
Dan Nettles: guitar
Marlon Patton: drums
Greg Sinibaldi: bari sax

10. Swoop
JoJo Glidewell: keyboard
Seth Hendershot: drums
Zack Milster: steel
Dave Nelson: trombone
Dan Nettles: guitar
Chris Byron: engineer (drums)

11. The Frogs
Colin Agnew: percussion
Luca Lombardi: bass
Dave Nelson: trombone
Dan Nettles: guitar
Jacob Wick: trumpet

12. Politics
Luca Lombardi: bass
Jason Nazary: drums
Dan Nettles: Guitar
Greg Sinibaldi: bari sax
Peter Van Huffel: alto Sax
Jacob Wick: trumpet

13. Gears
Robby Handley: bass
JoJo Glidewell: keyboard
Rick Lollar: guitar
Dan Nettles: guitar
Marlon Patton: drums
Greg Sinibaldi: bari sax

14. Orbits
Robby Handley: bass
Rick Lollar: guitar
Rob McMaken: 12 String
Dan Nettles: guitar
Marlon Patton: drums
Greg Sinibaldi: bari sax
Jacob Wick: trumpet

15. The Cloud Awaits
Serena Scibelli: violin
Luca Lombardi: bass

16. Lick'Em Good
Neal Fountain: bass
Rick Lollar: guitar
Dave Nelson: trombone
Dan Nettles: guitar
Jamison Ross: drums
Greg Sinibaldi: bari sax
Chris Byron: engineer (bass)

17. Make Believe
Sean Carpio: drums
Roland Fidezius: bass
Jay Gonzalez: keyboard
Rick Lollar: acoustic
John Neff: pedal steel
Dan Nettles: guitar

18. Tell It
Neal Fountain: bass
Rick Lollar: guitar
Luca Lombardi: bass
Dave Nelson: trombone
Dan Nettles: guitar
Jamison Ross: drums
Greg Sinibaldi: bari sax
Peter Van Huffel: alto sax
Jacob Wick: trumpet
Chris Byron: engineer (bass)

19. Hello, Farewell, Goodbye
JoJo Glidewell: piano
Robby Handley: bass
Rob McMaken: acoustic
John Neff: pedal steel
Dan Nettles: guitar
Marlon Patton: drums
Serena Scibelli: violin
Greg Sinibaldi: bari sax

20. Machine Language
Itamar Erez: keys
Robby Handley: bass
Rick Lollar: guitar
Dan Nettles: guitar
Marlon Patton: drums
Greg Sinibaldi: bari sax

21. Shadows
Roland Fidezius: bass
Rob McMaken: acoustic
Jason Nazary: drums
John Neff: pedal steel
Dan Nettles: guitar
Thayer Sarrano: keys
Greg Sinibaldi: bari sax

22. Unfolded
Sylvain Carton: clarinets, tenor
Itamar Erez: guitar
Robby Handley: bass
Luca Lombardi: bass
Dan Nettles: guitar
Marlon Patton: drums
Greg Sinibaldi: bari sax
Jacob Wick: trumpet

23. Day By Day
Roland Fidezius: bass
JoJo Glidewell: piano
Seth Hendershot: drums
Dave Nelson: trombone
Dan Nettles: guitar
Greg Sinibaldi: bari sax
Chris Byron: engineer (drums)

24. Ring A Bell
Colin Agnew: percussion
Seth Hendershot: drums
Rob McMaken: 12 string
Dan Nettles: guitar, bass
Greg Sinibaldi: bari sax
Chris Byron: engineer (drums)

25. Easy Solution
JoJo Glidewell: keys
Seth Hendershot: drums
Luca Lombardi: bass
Rob McMaken: 12 string
Dan Nettles: guitar
Serena Scibelli: viola
Chris Byron: engineer (drums)

26. Tiny Castle
Zack Milster: steel
Dan Nettles: guitar
Marlon Patton: drums
Greg Sinibaldi: bari sax

27. Absolute
Robby Handley: bass
Luca Lombardi: bass
Zack Milster: steel
Dan Nettles: guitar
Marlon Patton: drums
Greg Sinibaldi: bari sax
Jacob Wick: trumpet

28. October Book
Sylvain Carton: tenor sax
Seth Hendershot: drums
Rick Lollar: guitar
Zack Milster: bass
Dan Nettles: guitar
Thayer Sarrano: keyboard
Greg Sinibaldi: bari sax
Chris Byron: engineer (drums)

29. Inside the House
Neal Fountain: bass
Sylvain Carton: bass clarinet
Dan Nettles: guitar
Jamison Ross: drums
Greg Sinibaldi: bari sax, EWI
Peter Van Huffel: alto sax
Chris Byron: engineer (bass)

30. Ultimate Penultimate
Robby Handley: bass
Rick Lollar: guitar
Dan Nettles: guitar
Marlon Patton: drums
Greg Sinibaldi: EWI

31. Curtain
Luca Lombardi: bass
Dan Nettles: guitar
Marlon Patton: drums
Greg Sinibaldi: bari sax
Serena Scibelli: violin

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Kenosha Kid Athens, Georgia

The melodies are haunting, the grooves are devastating, and the band expertly serves jazz purists, indie-rock hipsters, and funk loving jam fans alike.

In the fall of 2021, an all-new Kenosha Kid three-record set called October Book will be released... a dreamlike abundance of musical sorcery featuring 31 songs and over 20 musicians.
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