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10 (Don’t Listen to the) Static
Dan Nettles: Guitar
Rick Lollar: Acoustic guitar
Robby Handley: Bass
Marlon Patton: Drums
Built from a live performance at Hendershot’s August 28, 2015 that was recorded by Tom Lewis, Taylor Poole, Kirby Smith & Karenna Wery.
Composition and recording:
The whole song was written at one sitting while I experimented with one of my guitars that has a weird warble when you flip the tremolo bar down and let it spring back. Again in drop D, and in this case I was seeing what would come about if the melody outlined movement thru V major and then V minor. The bridge moves to the IV- area, and the turnaround is kind of a backwards cycle of IV chords (F, C, to G), an extended subdominant resolution if you will, which is another theme that seems to crop up in a few songs. The whole tune is hopeful, and intended to be a uncomplicated, strong and fundamental in some way. This is actually a live performance that captured all of us at our best… for 10 and half minutes. To fit on this record, adding radio static at the top and strings at the end gave us a way in and out of the song that made sense.
lyrics
10 (Don’t Listen to the) Static
Dan Nettles: Guitar
Rick Lollar: Acoustic guitar
Robby Handley: Bass
Marlon Patton: Drums
Built from a live performance at Hendershot’s August 28, 2015 that was recorded by Tom Lewis, Taylor Poole, Kirby Smith & Karenna Wery.
Composition and recording:
The whole song was written at one sitting while I experimented with one of my guitars that has a weird warble when you flip the tremolo bar down and let it spring back. Again in drop D, and in this case I was seeing what would come about if the melody outlined movement thru V major and then V minor. The bridge moves to the IV- area, and the turnaround is kind of a backwards cycle of IV chords (F, C, to G), an extended subdominant resolution if you will, which is another theme that seems to crop up in a few songs. The whole tune is hopeful, and intended to be a uncomplicated, strong and fundamental in some way. This is actually a live performance that captured all of us at our best… for 10 and half minutes. To fit on this record, adding radio static at the top and strings at the end gave us a way in and out of the song that made sense.
The melodies are haunting, the grooves are devastating, and the band expertly serves jazz purists, indie-rock hipsters, and
funk loving jam fans alike.
In the fall of 2021, an all-new Kenosha Kid three-record set called October Book will be released... a dreamlike abundance of musical sorcery featuring 31 songs and over 20 musicians....more
