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10 (Don't Listen to the) Static

from Missing Pieces by Kenosha Kid

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about

10 (Don’t Listen to the) Static
Dan Nettles: Guitar
Rick Lollar: Acoustic guitar
Robby Handley: Bass
Marlon Patton: Drums
Built from a live performance at Hendershot’s August 28, 2015 that was recorded by Tom Lewis, Taylor Poole, Kirby Smith & Karenna Wery.

Composition and recording:
The whole song was written at one sitting while I experimented with one of my guitars that has a weird warble when you flip the tremolo bar down and let it spring back. Again in drop D, and in this case I was seeing what would come about if the melody outlined movement thru V major and then V minor. The bridge moves to the IV- area, and the turnaround is kind of a backwards cycle of IV chords (F, C, to G), an extended subdominant resolution if you will, which is another theme that seems to crop up in a few songs. The whole tune is hopeful, and intended to be a uncomplicated, strong and fundamental in some way. This is actually a live performance that captured all of us at our best… for 10 and half minutes. To fit on this record, adding radio static at the top and strings at the end gave us a way in and out of the song that made sense.

lyrics

10 (Don’t Listen to the) Static
Dan Nettles: Guitar
Rick Lollar: Acoustic guitar
Robby Handley: Bass
Marlon Patton: Drums
Built from a live performance at Hendershot’s August 28, 2015 that was recorded by Tom Lewis, Taylor Poole, Kirby Smith & Karenna Wery.

Composition and recording:
The whole song was written at one sitting while I experimented with one of my guitars that has a weird warble when you flip the tremolo bar down and let it spring back. Again in drop D, and in this case I was seeing what would come about if the melody outlined movement thru V major and then V minor. The bridge moves to the IV- area, and the turnaround is kind of a backwards cycle of IV chords (F, C, to G), an extended subdominant resolution if you will, which is another theme that seems to crop up in a few songs. The whole tune is hopeful, and intended to be a uncomplicated, strong and fundamental in some way. This is actually a live performance that captured all of us at our best… for 10 and half minutes. To fit on this record, adding radio static at the top and strings at the end gave us a way in and out of the song that made sense.

credits

from Missing Pieces, released February 12, 2019

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Kenosha Kid Athens, Georgia

The melodies are haunting, the grooves are devastating, and for nearly two decades the band expertly serves jazz purists, indie-rock hipsters, and funk loving jam fans alike.

October Book to be released in 2022, an epic three-part K.Kid collection with a dreamlike abundance of musical sorcery... moments of lyrical melodic hooks, textural bliss, and pure rock-band glory. ... more

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